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ART & COLLECTABLES

Ex Poker Player Gets A Full House Through NFT Art

Until his’s early 30’s, Jonathan Nash lost everything, but gained it all back when he got into NFTs.

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He Started With Poker

Jonathan was born in England but has spent most of his life living in Scotland. For most of his working life, Jon was a professional poker player. From his early twenties into 30’s. Capitalizing on the poker boom that happened from 2003 onwards. He never went to university so poker offered a life that was beyond his wildest dreams. Eventually though, online poker was banned in the US, player pools dwindled worldwide, and poker as a career became less and less viable.

“I played on far beyond the time I should have quit and ended up losing everything. I was 30, with no career, no job history and no money. I was lucky I had a fantastic girlfriend and family that could support me.”

Back To Art

During this period, as a means of escape, Jonathan rediscovered his love of art. »I picked up a pencil, for probably the first time in 10 years, and started to draw. Eventually I found a minimum wage job and taught myself photoshop and a 3d software called Blender by watching Youtube videos.« His goal was to go to university, study art, and hopefully get a job in a game studio, but he quickly found out that there was a huge demand for 3d animation in advertising. »I sold the second animation I ever created for $400, without realising how low a figure that was! Then i licensed the 3rd, and it just took off from there, after a few years I was able to quit my full time job and freelance as a 3d animator full time.«

His Style

Jon always had a love of miniature things so immediately he knew the style he wanted to create in 3d. One of his first ideas was to create a swimming pool inside a phone. This ended up being his first animation, iPool, and also most successful one on social media, with over 10 million views on various platforms. »From then I have found the idea of working phones into animations to be fascinating and an endless source of inspiration. Something so culturally significant deserves to be immortalized in art.« He also loves the idea of capturing a period in time. »Seeing 80’s tech like VHS and cassette tapes conjures up nostalgia from that time period.« He hopes that when people see his art in the future, they will have the same nostalgia for the phones and technology captured in it.

Transition To NFTs

»Makersplace were kind enough to approach me in 2019 about creating NFTs. I signed up for their site and was ready to create something but then my freelance career really took off and I never found the time.« Periodically, Jon would check in to see what kind of art people were selling and he thought his work wouldn’t appeal to people anyway so the idea got shelved. Then Beeple came along and NFTs were everywhere. He decided to give it another shot and uploaded an animation called ‘Notifications’ and listed it for 1 ETH. It was up for a few days before it was purchased. »That feeling was amazing. I have since released 6 more NFTs, the most expensive selling for 10.5 ETH.« He only ever has one up for sale at a time and they have all sold within a few days of release. Jon says he is really grateful that people have really connected and seen the value in his work. He is thinking long term so he puts a lot of thought into what he releases and how often he does it. »I feel like a more considered, careful approach will pay off in the long run.«

Jonathan’s Work

First Animation: »Pool«

It’s the art piece that kicked off his whole career in animation. Jon was working on it for months, but he was unhappy with the final animation.

“So I cut it down to this quick 4 second segment and decided just to release that instead. I went to sleep with 5 followers and woke up with 7 thousand!

He couldn’t believe the response it got. It’s still his most successful video on social media.

First NFT: »Notifications« 

He made this in response to his first animation going viral.

“I had never experienced anything like it. Received a new notification every second.”

So he thought it would be cool to create little physical notifications that would fill up a phone. Jon says this is the animation he is the most proud of.

The Most Successful NFT: »Ecosystems2

“I had the idea of creating a miniature ecosystem inside a phone which would be based on the Apple ecosystem. Each area is based on a different icon or Apple product.”

Jon wanted to create an NFT where people could see the amount of time and effort that had gone into it. It became his most successful NFT to date, selling for 10.5ETH ($21,662).

Check out these next few links, for more of Jonathan’s work!

If people are interested in my work they can find me on Instagram and Tik-Tok as Instagram: @offshoot.3d

Tik-Tok: @offshoot.3d  

Twitter: @offshoot3d Makersplace: https://makersplace.com/jonathannash/

ART & COLLECTABLES

In the Largest-ever NFT Drop, WAX will Distribute Ten Million Free NFTs

WAX will give out free NFTs to commemorate its success with a variety of companies on board and rising play-to-earn games.

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#nft #nfthours #wax #drop #10million

Despite the recent NFT market surge, WAX has received little attention. Solana and Flow have both had considerable accomplishments in the field, but Ethereum has high-dollar, headline-grabbing sales and most of the overall trading volume.

Despite the lack of publicity, WAX has quietly racked up impressive numbers. It now has the greatest smart contract transaction volume of any network, with DappRadar having recently reported about 18 million daily transactions. In addition, major brands such as Funko, Mattel, AMC, and Sony Pictures have used it for NFT drops.

WAX—short for Worldwide Asset eXchange—has also recently passed the 10-million-to-11-million-total-wallet-accounts-on-the-platform-mark and will celebrate by airdropping a total of 10 million free NFT collectibles to those wallets. It’s the most significant single NFT drop to date, and the first 10 million WAX wallet holders will get it for free.

The free NFTs are distributed across ten different digital pins, commemorating a different period in WAX’s history. The 10 million NFTs jointly mark the platform’s success up to this moment, from its mainnet launch in 2019 to its carbon-neutral accreditation, and even its recent cooperation with AMC and Sony Pictures for “Spider-Man: No Way Home.”

WAX CEO and co-founder William Quigley told Decrypt that the company planned to commemorate the wallet’s one-year anniversary with a large-scale drop that would be unfeasible on other major platforms. While the airdrop represents WAX’s history, he also wants it to demonstrate to companies that they can use its platform to execute initiatives involving millions of NFTs.

“Most individuals familiar with NFTs recognize that minting Ethereum NFTs is slow and expensive,” he explained. “So we reasoned: Well, no one has ever attempted to make 10 million NFTs. We’ve only done about 2.5 million Topps MLB baseball cards, but even that much outnumber anything done by other chains.”

According to Quigley, WAX had roughly 500,000 registered members at the end of 2020, so the current 10 million record implies a 20-fold growth in users in just over a year. Furthermore, according to data from DappRadar, the larger NFT market surged considerably in 2021, going from over $100 million in trade volume in 2020 to $23 billion last year.

He said that minting 10 million NFTs on Ethereum’s mainnet would be too expensive and that the “chain would have collapsed” due to the network’s low transaction throughput. He also chastised competitor chains: Solana experienced extended downtime in September. In addition, Ethereum sidechain scaling solution Polygon recently suffered rising costs due to a now-defunct play-to-earn game called Sunflower Farmers.

On DappRadar’s list of the most popular decentralized applications (dapps) by user count, WAX offers several play-to-earn games and other applications. While increased demand can put WAX to the test, Quigley says the blockchain platform has stayed online and functional.

“We’ve made it through, although it’s been quite difficult at times. WAX is still standing, “he stated. “You’ve got chains like Solana and Polygon whose entire raison d’être is their ability to scale. And [Polygon] couldn’t even handle one of the most popular learn-to-play games. There isn’t one. And there are many of them.”

WAX plans ahead

According to Quigley, WAX’s growing reputation as a destination for brands—which includes Reebok, Mattel, Capcom, and Atari—is partly due to the platform’s scalability and inexpensive pricing. But it’s also because of his team’s experience working with brands, including his previous role as Chief Financial Officer of Disney’s licensing division.

“When we communicate to brands about intellectual property management, we speak their language,” Quigley said. “We can safeguard their brands, and a lot of it boils down to trust.”

He expects interest in WAX’s “vIRL” NFT format, which stands for “Virtual in Real Life,” to rise in the future. It’s essentially an NFT digital twin that can be redeemed for a physical version of the product, and companies like Funko and Mattel have already used it in projects.

It’s excellent for high-demand products like shoes and streetwear, according to Quigley, because it eliminates some of the expenses and environmental effects of shipping things through many parties before they reach the end-user.

He also anticipates increased crypto gaming activity on WAX, especially as the nascent play-to-earn genre matures and expands into more affluent, more appealing game experiences. He understands why AAA game companies have been chastised for launching in-game NFT products and believes that such items have yet to add value to games.

“A lot of gamers dislike NFTs because they see them as money grabs,” he stated. “When it comes to AAA titles, I’d say that’s not far off.”

In the end, he believes that conventional, big video game publishers will lose out in the play-to-earn market. Instead, indie developers will create games with NFTs at their core, considering how the technology benefits users and experiences.

He anticipates rapid and significant evolution, much as he did with mobile and browser-based games.

“Indie game creators who embrace this technology will start building games that progress from primitive–almost like DeFi mechanics rather than games—to full-fledged video games,” Quigley added. “It’s very much a work-to-earn situation right now—there isn’t a lot of playing. Finally, however, we will be able to play-to-earn.”

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ART & COLLECTABLES

Mercedes-Benz Collaborates with NFT Artists to Commemorate the G-Class Series

Mercedes-Benz has enlisted the help of five NFT artists to create their unique interpretations of the G-Class.

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#nft #nfthours #gclass #mercedesbenz

According to a tweet from Mercedes, the luxury automaker has teamed up with Art2People to produce a unique Mercedes-Benz NFT collection based on its G-Class car line.

Five NFT artists were commissioned to create G-Class-inspired works in various media, each unique design.

Music, fashion, graphic design, architecture, creative marketing, luxury design, and real estate are participating artists. Charlotte Taylor, Anthony Authie, Roger Kilimanjaro, Baugasm, and Antoni Tudisco from Germany are among the artists. The NFTs will be launched on Sunday by Nifty Gateway and Mercedes.

Mercedes isn’t the first major manufacturer to experiment with NFTs. McLaren announced its aim to use NFTs to produce virtual copies of its renowned F1 cars in June 2021. In addition, Coca-Cola created a one-of-a-kind NFT campaign to collect money for Special Olympics International in July 2021.

Mercedes-Benz isn’t the first company to experiment with blockchain technology. The automaker has launched a trial with blockchain company Circulor to ensure that cobalt emissions are traced throughout the supply chain.

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ART & COLLECTABLES

Participants in the NFT Market in the United States may Face Harsh Tax Penalties

As the NFT market grew in 2021, so did the tax questions for the next tax season.

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#nft #nfthours #taxes #irs

The Internal Revenue Service (IRS) wants a piece of the NFT loot. There is uncertainty over how NFT holders should be taxed, although tax experts estimate that taxes could be as high as 37%. According to James Creech, a tax attorney in San Francisco, “you don’t get to report earnings or losses because the IRS has failed to provide guidance that satisfies your expectations.”

According to Chainalysis, the NFT business would see $44 billion in transactions in 2021. Some artists made large profits, with one American artist selling an NFT for $69 million-plus royalties. This raises some concerns about how they ought to be taxed. Although the taxation of NFTs is not apparent at the moment, that does not mean they should not be declared on your tax return.

Those who failed to declare quarterly earnings from NFTs may be in for a rude awakening when penalties are imposed the next tax season. NFT owners can sell their NFTs on NFT marketplaces like Opensea or Rarible, and they may be liable to income tax of up to 37 percent when they do so. In addition, if NFTs use another cryptocurrency to purchase the NFT, they will owe capital gains taxes to the IRS.

Experts on taxation weigh in

NFT taxes are estimated to be worth billions of dollars, according to Arthur Teller, CEO of TokenTax. However, aside from the 37 percent income tax, the tax requirements are murky. For example, should they be taxed at the same rate as capital gains on art collectibles, currently 28 percent? Moreover, in light of Joe Biden’s proposed tax infrastructure package, the Treasury Department provides no detailed guidance on how NFTs will be taxed. According to Jarod Koopman, a director of the criminal investigation at the IRS, as a result, tax evasion may become a distinct possibility.

The IRS has issued general crypto tax guidelines

Notice 2014-21, 2014-16IRB938, Rev. Rul 2019-24, 2019-44 IRB1004, and ILM 20214020; the IRS explains how bitcoins are taxed. It should be noted that none of these include any mention of NFT. Section 61 of the Internal Revenue Code (IRC) may necessitate the inclusion of creator income on the revenues of NFT sales and royalties. In contrast, Section 197 may allow amortization to buyers who use the NFT for business purposes. Buyers from other countries will be subject to local taxes. At the same time, if the copyright owners are citizens of the United States, they may be required to pay state and federal taxes on any royalties received.

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