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ART & COLLECTABLES

Digital collectibles have more value than their physical counterparts, according to the CEO of NFT Marketplace

Collectors who want to get their hands on trade cards, comic books, coins, and stamps are turning to NFTs.

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With a total USD trading volume of around $6.1 billion in the first quarter of 2022, collectibles are the leading segment in the NFT (non-fungible token) industry, up 29.7% from the previous quarter. According to data from Nonfungible.com, its market share is substantially bigger than the art or metaverse parts of the market in terms of volume transacted.

According to Evan Vandenberg, CEO of Dibbs, a blockchain-enabled fractional trading card marketplace, North America has the greatest market share for collectibles.

Dibbs users can purchase and sell fractions of collectible goods that have been authenticated, vaulted, insured, tokenized, and minted into the spot exchange-like marketplace, such as NFL trading cards or Hulk comic books.

Dibbs, which previously only accepted fiat, is now expanding its payment choices for its physically-backed NFTs using Circle’s stablecoin USD Coin (USDC) integration in order to reach more customers, the business stated Wednesday.

“If you want to be a global market, crypto is fundamentally the best deposit mechanism. It doesn’t care where you live,” Vandenberg told Blockworks.

Dibbs will be supported on all blockchains that presently include USDC, including as Algorand, Avalanche, Ethereum, Flow, Hedera, Solana, Stellar, TRON, and the Polygon network via bridging USDC, thanks to Circle’s partnership with Coinbase in the Centre Consortium, which governs USDC.

“As global e-commerce expands, consumers are searching for a more efficient and low-friction form of payment that can complement their digital retail experiences,” Circle told Blockworks.

Buyers will gain “a more streamlined, cost-effective, and secure transaction process,” while sellers will gain “more efficient settlements at the point of sale to enable them monetize and develop their collectibles business with both fiat and dollar digital currencies,” according to Circle.

From the physical to the virtual
Vandenberg, a lifelong card collector who specializes in first-edition Pokemon cards, argues that “there is more consumptive value in these items being digital than in being physically held.”

It’s not about eradicating the physical, but merely “shifting it from your palm” into vaults, he explained. These assets play a growing part in people’s digital identities as collectible and wearable NFTs become increasingly desirable to users who spend more time in digital environments.

According to him, the expansion of the collectibles market would be dependent on a marketplace’s assurance of access to rare goods, transaction speed and liquidity, and reliability.

Furthermore, being a part of and dealing with a community “that cares about what you care about” is required to share a personal collection in a more meaningful and scalable way, according to Vandenberg.

ART & COLLECTABLES

Ford is getting ready to enter the Metaverse with digital cars and NFTs

A month after the company announced significant personnel reductions, it has filed a trademark application covering its future initiatives in the Metaverse and NFT space.

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Ford Motor Company, an American automaker, has filed 19 trademark applications across its key automobile brands as it prepares to enter the realm of nonfungible tokens (NFTs) and the Metaverse.

Mike Kondoudis, a trademark attorney licensed by the United States Patent and Trade Office (USPTO), disclosed in a tweet on Wednesday that the business had submitted a total of 19 trademark applications covering its car brands, including Mustang, Bronco, Lincoln, Explorer, and F-150 Lightning, among others.

The trademark applications include a projected online marketplace for NFTs and virtual versions of its businesses’ automobiles, trucks, vans, SUVs, and clothes.

Ford intends to produce digital images of its vehicles, SUVs, trucks, and vans that will be verified by NFTs, according to USPTO filings submitted by the automaker on September 2.

The business also disclosed plans for “downloadable virtual commodities,” or “computer programs,” that would include apparel, accessories, and parts for vehicles for usage in “online virtual environments,” such as virtual and augmented reality trade exhibitions.

Additionally, there are plans to develop an online marketplace for “others’ digital artwork” as well as “online retail shop services featuring non-fungible tokens (NFTs) and digital collectibles.”

Less than a month after Ford Executive Chairman Bill Ford and CEO Jim Farley announced significant personnel reductions from its global workforce to decrease corporate expenses; Ford has decided to enter the Web3 area.

Ford isn’t the first automaker to enter the Metaverse market.

While premium automakers like Bentley and Lamborghini have already launched NFT collections, automakers including Nissan, Toyota, and Hyundai have indicated ambitions to enter the fast-expanding Metaverse market.

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ART & COLLECTABLES

Crypto-Vultures Profit from the Death of Queen Elizabeth

Only a few hours after the Queen’s passing, more than 40 meme tokens bearing her name have been released.

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Yesterday, according to Buckingham Palace, Her Majesty Queen Elizabeth II passed away. Although her loss triggered a global outpouring of sympathy and grief, it has also been exploited as a money-grab.

Elizabeth II, monarch
Grift endures eternally, but the Queen is gone.

There are over 40 meme coins on Ethereum and the Binance Smart Chain thanks to Queen Elizabeth’s passing (and at least one exploitative NFT collection).

While the news of the British monarch’s demise saddened people worldwide, cryptocurrency scammers took advantage of the occasion to launch dozens of meme coins with Queen themes on Ethereum and Binance’s BNB Chain.

Among the new crypto coins that were introduced are “Queen Elizabeth Inu,” “Queen Doge,” “God Save The Queen,” “London Bridge Is Down,” “Queen Grow,” “Rip Queen Elizabeth,” “Elizabeth II,” and “Queen Inu II.” Other tokens with the name of the next king, King Charles III, have also appeared. According to DexScreener, at least 40 separate meme coins appear to have been produced in the previous six hours.

The most liquid tokens, Save The Queen and Queen Elizabeth Inu, have already processed trade volumes of around $700,000 and $200,000 since their debut. At the time of writing, the price of Queen Elizabeth Inu is up 1,517%, while it has increased by 23,271% on Binance Smart Chain and 3,708% on Uniswap. Prices are incredibly unstable and exceedingly unlikely to persist.

The “Queen Elizabeth 69 Years NFT” NFT set has reportedly been produced. One image is said to represent each year of the Queen’s reign in the collection. The project’s aims should be questioned because Elizabeth II reigned for 70 years, not 69.

The crypto community, typically known for its gallows humor, mainly reacted negatively to the initiatives. When told about the NFT collection, NFT aficionado ThreadGuy said, “You’re going to hell.” Trader Byzantine General declared, “We’ve got to stop this crypto stuff.”

In 1926, Queen Elizabeth was born. She was the longest-reigning British monarch in history and passed away in Balmoral Castle at 96.

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ART & COLLECTABLES

One crypto sector, according to billionaire Chamath Palihapitiya, is experiencing a classic bubble cycle

One crypto sector may be going through a typical hype cycle, according to billionaire investor and software entrepreneur Chamath Palihapitiya.

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In a new episode of the All-In podcast, the CEO of Social Capital discusses the sharp decline in trading volume in the non-fungible token (NFT) market.

Palihapitiya offers Coachella and Burning Man as examples of major music festivals that strive to be distinctive but may wind up being mostly the same.

The billionaire contrasts NFTs and the overall art market with the two music events.

“I do believe that there is something going on; the simplest way to explain this is with the Burning Man/Coachella scenario. Many of these things are similar, but when some people approach anything new, they are too insecure to accept that it is similar to another item, so they spend a lot of time attempting to convince you that it is different. When someone says that a time is different, it’s probably not that different, as stated in the Warren Buffett quote, is an example. Or consider the other famous historical adage, “Things don’t always repeat in history, but they rhyme.”

All of this is meant to imply that, aside from major advances in science, not much new has been discovered recently. We keep repeating the same patterns, and one of them is the social capital that comes from making certain decisions and then having those decisions validated by others in order to feel valuable. And this occurred in NFTs, as well as, I’m sure, in the initial stages of several artistic movements. These events are more comparable than dissimilar because they have presumably occurred in a number of other markets as well.

Burning man and Coachella are same. The art market and NFTs are both the same. It doesn’t need to be unusual; you can simply appreciate it because you think it’s cool. I would just take it with a grain of salt and tell anyone who comes to you asking why it’s so different.

DappRadar reports that earlier last week, trading volume on popular NFT marketplace OpenSea reached a one-year low.

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